Wesley McNair’s The Lost Child (Part 3 of 3)
Reading the Riffles
It helps me
understand the skill and insight Wesley McNair brings to interpreting his
mother’s aging and dying to remember how the Niangua rolled before us in a
constant, challenging glimmer.
For as his mother
tries to renew her connection to every object bagged up during her stay in the
hospital, she keeps inventing motives and miracles happening around her,
…as if
when she examines
each
rescued object…..
the past
suddenly becomes the present
and time
has not happened to her at all…(“The Abduction”)
Later, as she lies dying in the hospital, the anger and hurt
she vented on him as a child now, he understands, has prepared him for “the
shock
Of this final
unbelievable loneliness…..
…………..And
never mind
her lifelong
anger, and all the failures
of the
heart…………
he can reach her now only “through her favorite song
he sang as a
boy to lift the grief from her face," The Tennessee Waltz. (“Dancing in
Tennessee”)
In the very act of bringing home her ashes, he discovers again “the
scar of/ her rejection and hurt”
disappearing
into her work, then and in all
the years
afterward…
Yet the river of her family affection carries him along,
with an occasional scrape—her brother calls her a damn Yankee.” He joins them in lifting her soft ashes in their hands,
……………each of
them speaking
to my mother
in a soft casual way as if
she stood
there beside them…
And because this binds him to them, and because together they have brought her finally home,
“she would never, ever again, be gone.” ("Why I Carried My Mother’s Ashes").
In this book of humorous and humane, angry and revelatory poems, Wesley McNair renders his mother's anger, and confusion, her stubborn, yet elated growing
old, and the twining stories of her siblings who second-guess each other, hide
truths from themselves and at times embrace love and
persistence. Thus, he helps remind us of our own riffles and fear, what we hide from ourselves and what will ultimately puncture our certainty, even as we find joy in living to navigate at all.
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