Monday, December 24, 2012

Margotlog: The Slant of Memory

Margotlog: The Slant of Memory 

A good poem can bequeath you one or two lines: such as these from Maxine Kumin's Feeding Time:
                Time which blows on the kettle's rim
                  Waits to carry us off.                 (Our Ground Time Here Will Be Brief, 1992)

I stand alone in the kitchen on dark winter mornings, as the teapot's steam marks this warning in the cold air. I say the lines to myself. They come at the end of her poem about feeding animals and loved ones at this coldest time of the year when the ancient knowledge of starvation waits just beyond the glass

Premonition and death also rise through the plot of Charles Dickens' A Tale of Two Cities. Like all his novels I've read, this one circles back to reverberate its initial scene. A master of headlong plotting, Dickens is also a master of infusing a scene with motion. Thoughts flowing through the bars of a prison: It is the French Revolution. The novel's denouement depends on that all-important first scene.And a recurring prison.

Now with the holidays I have time to read magazines several months old. A New Yorker writer, Anthony Lane offers Henry James as the greatest of all novelists, with his Portrait of an Artist. I flinch from this judgment, (and remember a BBC enactment I heard maybe five months ago). To my taste, James is deficient in chiaroscuro, the lights and darks of which Dickens is a master. Not to mention the ability to call characters out of the sod, the brick, the furnace. Dickens' scenes--from counting house to hovel, from rain-driven clod to cozy fire, from prison bars to sumptuous feast--create a full-bodied, cantankerous, ultimately satisfying world of invention.  


Another set of lines recurs: A certain slant of light
                                             on winter afternoons 
                                              oppresses like the weight
                                              of cathedral tunes.

There is such sharply slanting light as I walk at the end of these short days. It carries terror with it. Emily Dickinson knew of what she spoke--that oppressive music.

We read to be carried out of ourselves, but also brought back: So lines from poems wend their way through odd moments, and the experience of novels so huge and insistent they envelope my life. I think I still know the difference between Dickens' Paris and mine own, though mine is now shaded, tortured by his. My London remains entirely his, since I've never been in it. But it is full of extraordinary characters and encounters. In Henry James' world, fine perceptions are spun into immense subtlety. That's that I remember: shading going from half sun to darker and darker grey until we stand in ultimate penumbra. .

Thursday, December 20, 2012

Margotlog: Thinking Things Over at Christmas

Margotlog: Thinking Things Over at Christmas

Carol Bly, one of Minnesota's finest essayists, published an essay with this title in her collection, Letters from the Country. It's probably my favorite, written when she lived in a small prairie community in the 1970s. She advised us, in that bossy way of hers, to sit in the dark and so discourage passing drivers from turning in at the driveway. Do not answer the door. Instead, think about all the subjects that can't be discussed with coffee-klatching neighbors.

It is a quiet night at my house, and I am drawing up a ledger of sorts, musings about this most cantankerous of years. I'm thinking about the shooting of 20 children in a Connecticut school and where to lay the blame. It's not possible simply to stand aloof. We in the middle class have become more and more in love with roughness and violence, and less and less aware of what it means to be truly desperate. This divergence between real suffering and the noise and menace we manipulate for enjoyment frightens me.

Item: After President Obama "saved" the Detroit automakers, instead of instituting guidelines for smaller cars with higher fuel efficiency, we porked out on bigger SUVs and 4X4s--souped up trucks so big they roar down residential streets like tanks. Flamboyant displays of power going nowhere!

Item: Sitting in a movie theater as far from home as you can get and not tread on Asia, we waited for a showing of "The Life of Pi." The previews were for shows you're supposed to see with kids. The screaming sound tracks nearly broke my eardrums. The images of mayhem and destruction were so huge and menacing, so "in your face" that I had to hide mine in my lap.Yet all around me, wriggling, jumpy kids kept eating their candy and popcorn, taking it all in.

Item: We know nothing, not really, about the 20-year-old who broke into the elementary school in Connecticut with enough ammunition to kill everyone in the school. We do know that his mother bought the assault-style weapons and the ponderous bullet cases he used. Is it possible that she, who never let anyone close to her house, was engaged in full-fledged terrorizing of her son? Is it possible that his horrendous act went twenty-eight shots beyond what he was experiencing at home?

I've just talked to educators who work with protection against, and prevention of school violence. About lock-downs, one said, "We practice what to do--lock classroom doors, never let anyone in during a class. But within days, all the doors stand open and anyone can appear at a classroom door and get the teacher's attention." The other one said, "Prevention is even more important than protection--talk to students who seem depressed. Ferret out the suicidal and get them help. It's often the suicidal who kills others, then himself."

Item: When I was in high school, we practiced what to do if someone dropped "the bomb." We filed out into the halls and hunkered down, our arms draped over our heads. Then on Saturday night we danced ourselves silly to loud rock 'n' roll. But there was only one shooting in my small South Carolina high school--it was an accident. A brother cleaning a shotgun killed a younger sibling at close range. He was a pariah afterwards, always walking alone, his head down. No one had ever heard of assault-style rifles. Television was silly comedy shows, boring new commentaries and Saturday morning cartoons on our small screen.

Item: My father drove like a maniac, arguing with my mother, lifting his hands off the wheel. In the back seat, I was terrified and furious. Even as a girl, I knew that he was using the car as a weapon to intimidate her.

There is only one conclusion and many corollaries: Humans will be violent, loud and bullying.

Corollaries: Arms control doesn't mean only a detente over the bomb. It also means removing the most dangerous weapons from civil society. Assault weapons and huge magazines of bullets should not be available to anyone except the military. Period.



Violence needs to be channeled to do the least harm: sports and challenging outdoor activities are the best. Children (and that includes teenagers and young adults) are particularly vulnerable to huge, loud, repeated images of aggression. Fed such junk long enough, they will be unable to distinguish between what is playful and what is harmful. The two will become melded. Fear will curdle in their chests and they will spew it on others.

Instead of such a diet, they (and the rest of us) need gentle, quiet, thoughtful activities. We as humans need to learn how to protect and care for living things smaller than and bigger than we are. We need to learn empathy for those around us. Otherwise, we all grow an exaggerated sense of our own power and place in the world, which is an awful set-up for dealing with the biggest challenge we face: repairing the planet in hopes of saving life as we know it before it's too late.



Monday, December 10, 2012

Margotlog: The Laysan Albatross and the Ocean of Plastic

Margotlog: The Laysan Albatross and the Ocean of Plastic

     At the northern edge of Kauai, the most northwesterly of the main Hawaiian Islands, a point of land reaches out to a lighthouse. This is the Kilauea lighthouse. Once there were 14 lighthouses studding the rugged coast of Kauai, in the days of sailing ships and many ports of call, in the days before sonar. Now this one remains as a beacon for those who enjoy watching seabirds and searching the ocean for whales. We visit every time we come to Kauai, our favorite of the Hawaiian Islands, the greenest, least marred by urbanization and volcano activity. For spewing lava and plumes of smoke, go to the "Big Island." For high rises and Waikiki beaches, go to Honolulu. We've done both, and still love Kauai the best.

     Several things have happened to the endemic birds of the islands. Odd word, endemic. For a while, every time I saw it, I read "epidemic." But it means "native only to this spot." High up in the sharp-sided mountains of Kauai, there remain some truly unusual birds--bright red with deeply curved beak, or bright yellow or bright red with black wings. They all have sonorous names in native Hawaiian, which of course I don't remember. It's hard for an Anglo to speak Hawaiian, though lovely to hear it, like whoshing wind or lapping waves. But one little endemic bird of Kauaii caught my attention: the apapane, reknown for its varied melodies and (poor thing) for being preyed upon by endemic and imported owls. When the apapane finds an owl in the vicinty, it hides in the leaf clusters of the ohia tree, and whimpers.

   What does it take to extend empathy to other living things, the empathy we usually reserve forour own kind? Awe at its physical presence and splendor? Or a sign that it quakes with fear just as we do? Relief from our busy, demanding lives also helps. Quiet attention, absorbing into our very being what the other creature is experiencing. Then responding from our "deep heart's core."(quoting Mathew Arnold)

     It's helped me to know that elephants mourn the one of their family. They will lie down beside the suffering one, and remain with it after it dies. If this isn't grief, I don't know what is. Whether elephants, surely one of the smartest animals, will also grieve the death of a creature not their own, I don't know, but there are reports of other kinds of animals forming close bonds--dog and duck, deer and goat.

     Visiting the lighthouse at Kilauea I marveled at huge Laysan Albatross on the wing, I was awed by their wide wings (grey on top, white below), at their hooked beaks so close that I could see the hooks, and their regal white heads with goofy tilted eyes, which make them look cross-eyed, but probably are set this way to give wide range of vision--sideways, forward, maybe even above their heads.

     They do not nest on the cliffs beside the lighthouse, as do the boobies, all white and not at all dumb. But instead the Laysan Albatross nests on the small islands that stretch west from the main Hawaiian chain. Laysan Island was ruined by a German named Max Schlemmer who introduced rabbits (among other irritants) who so denuded the foilage that all critters and eventually the rabbits themselves died. Eventually Schlemmer was hauled off the island. Rightly so, and the land somewhat restored. I can't tell you what happened to the Laysan Albastross during this environmental mess.

     But I can tell you about the fate of a Laysan Albatross chick who was hatched on Green Atoll, which, I assume, lies not far from Laysan itself. (Here I advise you to take a deep breath and let it out slowly.) "Shed Bird" hatched beside a shed and proceeded to be raised by its parents. This was in the early 2000s. Humans of the atmospheric and oceanic type took note of Shed Bird but didn't bother it until they found it dead after (I'm guessing) maybe 4-5 months. By that time it was about a foot long.

     Cutting into the stomach, they discovered it had been perforated a number of places. The stomach itself was crammed with junk, so much so that there was little room for jelly fish or flying fish, common food of the Laysan Albatross. Now here's where you and I come in. Two-thirds of the junk was plastic:

         plastic bottle caps
         aerosol plastic disperser tops
         flat pieces of plastic with sharp edges
There was part of a wooden clothespin, part of a small paintbrush, part of a rifle shell.

     Laid out in a circle and photographed, the junk inscribed a diameter of maybe two feet. Somewhat artistic in its diversity of shapes and colors. Horrible when seen photographed inside the cut-open bird who obviously had died of starvation. Dumb parents, you might say.

     Albatross do not dive for food. They skim it off the ocean surface. Especially where currents meet and offer an upswelling of jelly fish and flying fish, their natural food sources.Dumb humans, I say. Dumb and heedless and ultimately accessories to murder of creatures too dumb to tell the hard crack of a small piece of bright-colored plastic from an iridescent jelly fish. 

     I stood at the display case where there were charming blue-green waves below the wall of photographs, waves inscribed with details of hump-back whale mating, of monk seal navigation, waves that made the ocean around Hawaii and Laysan and Green Atoll come alive with stories of creatures not human.

     It took me a while to read all the stories and rest my eyes on the cut-open chick, on its inside stuffed with human junk, and to read the all-too-obvious message: the chick's death belonged to me as surely as if I'd shot it from the air. Then I wept. For the heedless stupidity and carelessness of my kind, for the beautiful flyers that are the adult Laysan albatross, and the danger that awaits their chicks in the wind-swept middle of the Pacific. Wept for all the pieces of plastic I pick up as I walk, even when I'm tired and grouse to myself that this is stupid, this is not my job, this particular green water bottle top will never reach a body of water.

     But I usually pick it up anyway. And I urge you to do the same. Plastic filth is our business. It belongs to all of us. We throw it away to imperil all kinds of living things who are not human. But who are beautiful and deserve to live in a world that is not imperiled by our throw-away habits. Instead of throwing away, let's think about keeping and treasuring. About admiring and preserving. Let's think about our own chicks potentially threatened by minute pieces of plastic in their drinking water, the soil where they dig for fun, the air they breathe. Let's think about places where currents meet and where what we've thrown away returns to haunt and kill. Let's remember there is no place on earth where a substance as unnatural as plastic will not come back to haunt us.
       
     I, for one, am ready to say Good-bye to plastic. Not better, recycleable plastic, but any plastic that can be thrown away by casual, heedless users. Glass is far better. Yes, it stays around a while, but its sharp edges are eventually ground smooth by wave action. It does not float, and eventually it returns to the sillica that is found in sand. Ashes to ashes, dust to dust, except in the case of plastic, which is light-weight, and breaks into smaller and smaller pieces, but will still be plastic forever.