Margotlog: Horrific Degredation Looks So Appealing
This past weekend, I stood in front of two large photographs in the Weinstein Hammons Gallery, 908 West 46th Street, Minneapolis. For a few moments, I thought I was seeing rather benign, large-scale but odd images of the Earth. Not the entire earth, but segments: one looked like a huge mountain with blocks cut out of it. The other was of a bulldozer, creating long connected ribons of sand. The ribs took the shape of a fan, except that in the midst of them sat a bulldozer in bright yellow, casting a tiny shadow of itself. At the edge of the sand that hadn't yet been disturbed sloshed a liquid element of vibrant green. I could see little wavelets at the right edge of this watery element.
Turning to the young assistant at the museum, I requested what information existed about these two photographs by Edward Burtnysky, an artist unknown to me before. She brought me a three-fold explanatary card, titled "Anthropocene," with information that the term signifies our current geological epoch. The previous one, the Holocene, "started 11,700 years ago as the glaciers of the last Ice Age receded." Now geologists believe that we as the Earth's inhabitants have left that era for the "Anthropocene," which refers to the "indellible marks left by humankind on the planet."
The photographer, Burtynsky, also writes, that he is concerned "to show how we affect the Earth in a big way. To this end, I seek out and photograph large-scale systems that leave lasting marks."
Finally I began to understand. Yes, it is a beautiful image, this fan of shadows and sun-streaked ribs, with puffs of sand at its edge. I could almost imagine Madame Karenina, deploying her fan as she flirted with Vronsky on a dance floor. But this was "near Lakeland, Florida," USA, in 2012. Note: Madame Karenina threw herself under a train. The tailings from phosphorous mining poison the water into which they slosh.
The other image hung beside the one from Lakeland, Florida, captured an enormous mountain from which blocks of marble were being excavated. Centuries ago, marble was mined by slaves. Michaelangelo carved his "David" from a single block of marble. Later slaves used metal chisels and wooden wedges "inflated by water." It took me a few moments to understand why the wood wedges needed to be inflated. Then I imagined that if the wood was water-soaked, it would be more maleable, less liable to crack and break.
Next, in the 18th century came explosives which left huge piles of waste called "raventi." Yes, probably an Italian word that means refuse, so much amazing marble sculpture originating in Italy. Now, since the 1960s, trucks and excavators cut helical slabs, eliminating the waste caused by using explosives.
The owner of the quary, at 63 years old, says what has been taken "is as if I plucked a hair from a pig." The mountain has been worked for 3000 years, but its capacity still seems limitless.
Both of these "excavations" can be seen from space. This impressed me, suggesting just how vast they are. "Life in the Anthropocene" prompts us to consider how profound and lasting have been human changes in Earth's systems.
